Post 17

    Costume plans


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Post 22

Directing Styles The directing style I'm wanting to adapt is the Terrence Malick, as his work comes with a heavy voiceover or narration, sometimes by multiple characters. Using his style, I could have a voiceover of Lisa and then Matt to show the development in their relationship as the short film progresses. As well as this, I've taken Malick's theme of man's struggle with nature, and adapted it to fit my narrative, which is man vs. relationships. Continually, I am very inspired by the Kuleshov effect, by Alfred Hitchcock. This is because this directing style is relatively simple and extremely effective. For example, Lisa will look at Matt and her emotions could be shown by an extreme close up shot. Alternatively, the Kuleshov effect could be used with Lisa's phone, or the sugar sachet - the purpose of this would be to demonstrate the high tension and emotion in the scene (much like the slow zoom in Arrival.)
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Post 16

List of characters - Lisa : Erin McHardy - Matthew : Alexander Cripps - Alex : Nia Preston Character profiles Lisa Williams: Erin McHardy Age: 17 Height: Petite Weight: Skinny Hair: Medium length, curly, brown Eyes: Green Occupation: Student Religion: Christian Matthew Jackson: Alexander Cripps Age: 18 Height: Average Weight: Average Hair: Short, brown, messy Eyes: Brown Occupation: Student Religion: None Alex Smith: Nia Preston Age: 17 Height: Tall Weight: Skinny Hair: Short, blonde, styled Eyes: Blue Occupation: Student   Religion: Athiest The auditions This short film did not feature an audition for the following reasons: - There was no audio so the actors voices were not important. - No acting skills were needed because the actions are very basic and considered, "everyday." - The actors I had in mind already fit the character description. 
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Post 3

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Introduction to Film 3 Act Structure The three-act structure is a model used in narrative fiction that divides a story into three parts ( acts ), often called the setup , the confrontation and the resolution . 1) The first act is usually used for exposure , to establish the main characters, their relationships and the environment (setting) they live in. Later in the first act, an on-screen incident occurs that confronts the main character (the protagonist ), whose attempts to deal with this incident lead to a second and more dramatic situation, known as the first turning point, which : (a) signals the end of the first act, (b) ensures life will never be the same again for the protagonist (c) raises a dramatic question that will be answered in the climax of the film. The dramatic question should be framed in terms of the protagonist's call to action, This is known as the inciting incident , or catalyst. As an example, the inciting incident in the 2017 ...
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