Post 19

Storyboards

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Love, Simon (2018) A young coming-of-age tale about a teenage boy, Simon Spier, goes through a different kind of Romeo and Juliet story.  Simon Spier keeps a huge secret from his family, his friends, and all of his classmates: he's gay. When that secret is threatened, Simon must face everyone and come to terms with his identity.  Simon has a love connection with a boy, Blue, by email, but the only problem is that Simon has no idea who he's talking to. Simon must discover who that boy is--who Blue is. Along the way, he tries to find himself as well.   I watched 'Love, Simon' during the summer holiday. I loved this film, although I would change some aspects of the film. I recommend it strongly!
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Post 7

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Short-film idea from the news I would turn this into a short film by using it as a music video. This is because the emotions in this film are required to be emphasised by the tone of the music. The sound that I would use would ideally be melancholy - as the main characters emotions could be easily portrayed in this way. For this film, I would use only non-diegetic sound as it gives more of an effect of context. This sound effect would give a deeper meaning to the film - maybe the child in bad sleeping conditions feels like she can't speak out due to being over-ridden by the others in her family. I would exaggerate the features as the story is very plain, and doesn't intrigue me. In order to create a sense of ambience for this short film, there would be shots of the character on a ragged mattress in the middle of an empty room and then cut to them in a busy street. The character would be looking at the camera and the people around them would be moving. 
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Post 3

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Introduction to Film 3 Act Structure The three-act structure is a model used in narrative fiction that divides a story into three parts ( acts ), often called the setup , the confrontation and the resolution . 1) The first act is usually used for exposure , to establish the main characters, their relationships and the environment (setting) they live in. Later in the first act, an on-screen incident occurs that confronts the main character (the protagonist ), whose attempts to deal with this incident lead to a second and more dramatic situation, known as the first turning point, which : (a) signals the end of the first act, (b) ensures life will never be the same again for the protagonist (c) raises a dramatic question that will be answered in the climax of the film. The dramatic question should be framed in terms of the protagonist's call to action, This is known as the inciting incident , or catalyst. As an example, the inciting incident in the 2017 ...
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